Geek N.Z. wrote:Well, if you want someone's two cents, have mine:
I did some kind of assignment thing for English class last year, where we had to study three or four works by a poet/filmmaker/author/composer, and I chose Four songs by SP, which were Muzzle, Where Boys Fear to Tread, Bodies, and Zero.
Now to me, a whole bunch of the lyrics from these songs seem to refer to the pointlessness of teenage love, how it's so fake, how teens put on a show, but they don't realise that they don't REALLY love someone who is their girlfriend, etc...
Although Muzzle seems to be much more positive, as if he's accepted this realisation.
lyrics like these seemed to tell me this.
"All things must surely have to end/And great loves will one day have to part"
Zero sort of seems to be more about being hypnotized by some girl who seems to be far too good for him.
"I'm your lover/I'm your zero"
"Wanna go for a ride?"
"She's the one for me/She's all I really need"
WBFTT and Bodies really stand out to me as this whole "fake love" business.
"In knowing this was meant to be the last"
"A go-go kids/A go-go style/A suck-suck kiss/A suck-suck smile"
"A veiled promise to never die"
"Come into my life forever"
"Of the hurt you call your own"
"Love is suicide"
If you need me to explain any further what I think of these particular lyrics, just ask.
Nice. I wonder if he intentionally wrote from a young person’s point of view or if it was just his period of “growing up”. As you pointed out, there certainly is a sense of self-deprecation emanating from the majority of songs on MCIS. MCIS sounds like his idealism was shattered, “Muzzle” sounds like the turning point when he comes to terms with it and accepts it as is...probably the most “grown up” song on the album.
By the way, if you don’t mind me asking, how did you do on that assignment?