dreamelectric wrote:
Fact is most SP fans love whatever Corgan touches regardless of what it is, in my opinion those are the people who are following the band still. SP will never be what they once were, so I don't see this as make or break, that ship kinda sailed. Zeitgeist should have been that album, starting Teargarden should have been that album. Why is he worrying about making or breaking the band 4 years in?
I disagree. Zeitgeist was always meant to be the comeback on a low note, and Teargarden was an interesting experiment in its execution. But neither of them were intended at the fore to garner fame and following. I think Oceania is though. Seeing that Bolly knows all the tricks in the pop writer's handbook (SD an MCIS), seeing his fanbase fragment and slip away, and that he now knows the reactions when he ignores the conventions fans expect, I think Oceania is written using every trick in the book. My Love Is Winter is an easy example of this, and the acknowledgement of TG shitty production as "experimenting" (inferring that they are back on track with making sonically comfortable tracks) furthers (in my head) my hypothesis that Oceania is going to be every element the fans love from all eras of the Pumpkins combined into one, with the conscious decision that it should have it's own era sound.
As for being what they once were? Yeah they could be. Not a doubt in my mind. But that is going to require labels ruthlessly promoting their stuff 24/7, paying off reviewers (I wonder what Pitchfork's price would be for a 9.5? Hmmm.) and the band selling their souls to said label, getting a very raw deal in exchange for manufactured fame. It would require "selling out" and adopting a new image that is hip with the highschoolers of today (instead of the weird hippie watercolor thing) to give their music validity with that scene. But I can't see Billy doing any of that. I would imagine the opposite of him... I still wonder about how BIlly got the rights to every song ever from EMI. I would imagine he payed them more money than the albums were anticipated to make in the next 50 years, or he signed a contract that gave EMI 100% of the royalties from every song or album purchased.
And who knows? They might achieve the following they so crave at the moment. They've got to be extremely confident Oceania is going to blow up (or at least proselytized to anyone with an internet connection) to go on a 40 date tour to immediately be followed by a large US tour. To make such a commitment one would have to figure they
know from one element to another that there is going to be a degree of success to the album.
OF COURSE! This is all just my casual speculation. Nothing said here is gospel so no shouting please