Rivers Cuomo wrote:
kjrain12 wrote:
Like Frank B said, I don't bash them or insult them for their taste in music but shit taste in music is shit taste in music. It amazes me that there is noone in my school who is into listening to music like I am. Sometimes I just feel like discussing a bands discography with someone and then I'll look around the room and think "Damn, no one here is familiar with their discography." When I ask someone what they like for music and they respond with bands I don't particularly care for (MCR, Linkin Park, most hair metal, AC/DC, Kiss) I'll usually say, "Oh that's cool" or nod my head. In other words, I'll try to change the subject.
Well, at least I can always discuss The Beatles and Led Zeppelin with my English teacher.

Yeah, but listen to yourself. The mere fact that you decide not to voice the fact that you think they are retarded
to them doesn't mean you're respecting their opinions, it just means that you're choosing to insult them behind their back. The fact is you still think you're better than them because you listen to music that you like, and they listen to music that they like.
My question for you is WHY is it "shit taste"? Is there some way of quantifying the quality of music that I don't know about?
Sorry, I'm passionate about opinions : /
Think they're retarded? No, I don't think anything like that. I just think that my taste in music is better. If their favorite bands are Nickelback, Bon Jovi, and Creed then I'm going to believe my taste is better. It may be an elitist or douche thing to do, but that's what I do, and I'm sure many of you do it as well. (whether you admit to it or not) Insult them behind their back? No. Chuckle about it to myself when I get home? Maybe. If their favorite bands are Nickelback, Bon Jovi etc, I really don't think they care what I think of their taste in music anyway. I don't think I'm better than someone if I think their taste in music is bad but I DO think I'm better at identifying good music then they are. You say I listen to music I like and they listen to music they like, but a large percent of the time, if people are largely listening to modern rock and pop groups, they have likely not experimented listening to different music to REALLY SEE WHAT THEY LIKE. You know what I mean?
Well, the ways I qualify good music? I'll give a few ways: (this is mostly for rock/alternative/pop)
-Innovation - Is the music innovative? Does it take influences and make a sound all its own? Is it forward-thinking?
-Technical Musicianship - Here is an obvious one. If one guitarist is playing a three chord song and the other is playing a song with over 30 chords with intricate/complex bridges and solos, then the music the second guitarist is playing obviously takes more talent. Not trying to say that complex musicianship makes better music, because it doesn't, but it definitely helps if the musicians are good and competent at what they do.
-Influence - If I'm listening to an older record, influence is always something to think about. While some music made in the 60s/70s may not sound so new and groundbreaking to us now, in the 60s/70s it was completely new and innovative. For example, if so many musicians hadn't been influenced by The Stooges, they may have been mostly forgotten and wouldn't be the legends they are today. Another example would be Dark Side Of The Moon. While the album is timeless, many of the studio tricks used on it are widely used today, but back then it was a fairly new concept, therefore credit to the album is definitely due. Yet another example would be how OK Computer and In The Aeroplane Over The Sea influenced so many musicians already that they are both considered classic albums by many.
-Thought-Provoking? - Here's a good one. Is the music thought provoking? This is largely on a lyrical level but can also be with vocal melodies, song structure etc. If a band is singing about going out and partying with friends then that's certainly not as thought provoking as contemplations about life after death, war/politics, internal struggles, and human regression.
I could go on, but I don't want to bore you.

When these combine (along with multiple other factors I don't feel like listing), they make what is in my opinon, good music.
@Ryon: So you like pop-punk eh? Honestly, I don't care for most of it, much of it I find boring. I don't care for MCR in the least, but there are 2 pop-punk bands I do like. The Buzzcocks and The Offspring. (The Damned too if they count) The Offspring declined after Smash but I still like them alot for nostalgic reasons. You hate U2 Ryon? I actually like U2, well at least the War - Achtung Baby era I do. They've made some great albums. I will admit, they are very overrated, but I do like 'em. After Achtung it was mostly downhill. Zooropa was mostly a borefest, (I believe Zooropa was mostly cuts that didn't make Achtung) I never listened to Pop, All That You Can't Leave Behind was an improvement over Zooropa but it seemed like U2 had regressed to a late 80s U2 again. "How To Dismantle An Atomic Bomb" was also disappointing and felt bland and uninspired. Plus, I'm completely fed up with Vertigo. I still haven't had the chance to listen to their most recent effort (No Line On The Horizon) anyone know if its any good?
(I hope everything is coherent in this post, becuase its midnight over here in the east coast)